When Twitter starts Spaces, Reesha Howard’s instant audio feature, can’t wait to start broadcasting. She already has a YouTube channel, so she is used to sharing her personality online, but Spaces provides a new way to express her voice.Her rapper “Soulja Boy” (Soulja Boy); does he want to be interviewed here Her space? Shockingly, he said yes. Then, she hosted the game show of The Game.She talked to Charles Antoinette’s costume designer Judah and the Black Messiah, Just a few days before Antoinette won the Oscar. Howard said: “I consider myself the official queen of Twitter Spaces.” Not bad for someone who had only 87 Twitter followers a few months ago. Now, because of her audience, she has about 4,000.
Decades ago, if you heard someone’s voice on the Internet, it usually meant Online broadcast. Then the podcast appeared on the scene, and everyone with a microphone and laptop could upload their conversation to the Internet.right now The rise of live audio applications, Led by Clubhouse break out success Last summer, it changed the landscape again, in the same way that social media disrupted the blogosphere a few years ago: anyone with a smartphone has the tools and platforms to reach millions of ears. Accompanying this transformation is opportunity, both for emerging startups hoping to re-adjust the pecking order in Silicon Valley, as well as digital content creators hoping to impress in a thoughtful manner.
The creator is especially at a moment. After years of hard work to be taken seriously, they were finally recognized and paid by Silicon Valley companies for their work and influence.There are more companies specializing in Support the creator economy, From writers on Substack to adult performers on OnlyFans to C celebrities on Cameo. Large companies are now also aware of their role in the bottom line of the company, so they have also increased their investment in creators. The platform depends only on its content, and the content comes down to the person who created it.
Leading real-time audio applications have announced all released or released features for creators in recent weeks. Twitter added one Tip jar And is experimenting with ticketing live events on Spaces. Discord opened an event “stage” last month, which looks similar to Clubhouse, and will also provide broadcasters with a new way of charging. It also has a better discovery function built-in to help Discord users find real-time events. Facebook has launched a fund of audio creators to seed it Live audio room, Will be launched later this summer. Moreover, Clubhouse has begun to pay some creators a monthly allowance of US$5,000 to host original shows as part of its Creator First accelerator.
Although all Considerable influence share Its new plan has focused on funding more new talents. In addition to the monthly allowance, Creator First will provide other resources and promotion opportunities for creators of specific content in the clubhouse. This kind of support (especially in the early days) can help people make a living on the app, which in turn can make the one-year-old startup loyal to itself. “Using the app is a huge opportunity for small creators,” said Amanda Dishman, who hosts the clubhouse room called The Salty Vagabonds Club, all of which has to do with other living arrangements. For example, Dishman uses stories on ships to attract audiences. Clubhouse named the show as the finalist of the “Creators First” accelerator earlier this month. She said: “I haven’t tried any other audio applications, now I can accept it.”
The club will need this loyalty to survive. The platform is widely praised for the recent audio boom, but its user growth is declining: According to Sensor Tower, the app had 922,000 downloads in April and 9.6 million downloads in February. (Now that it finally has an Android app, it may be developed this month.) Many of its users also have accounts on other platforms. Analysis company App Annie found that 77% of Clubhouse’s iPhone users also use Facebook and 60% also use Twitter. Clubhouse needs to prove that its content is worth integrating a whole new platform into your digital routine. This is a barrier when other mature applications enter the real-time audio field, which includes not only Twitter and Facebook, but also Reddit, Spotify, and LinkedIn.